Sunset, nighttime, and sunrise are probably the three most exciting times for photography, and I got to hit all three on a quick trip to Bryce Canyon National Park this past weekend. I experienced a brilliant sunset, hiked into the Bryce amphitheater by moonlight, joined the masses for sunrise, and was back in my own home less than 24 hours after walking out the front door. I feel incredibly lucky to live close enough to such wonders that trips like this are possible. This impromptu trip was facilitated by the unseasonable heat wave currently gripping Southern Utah. On Sunday night, the overnight low at Bryce barely dropped below freezing (about 15 degrees above average for this time of year) making a quick camping trip a reasonable proposition.
This was actually my first trip to Bryce Canyon in the winter months. While snow has made itself scarce in Southern Utah the last few weeks, and most of the snow had melted away from the hoodoos, there was still quite a bit of the white stuff left on the north facing slopes, making for a gorgeous complement to the ruddy hoodoo hues.
Before hitting the trail for sunset, I took time to drive out to some of the overlooks at the south end of the park. Bryce Canyon may be known for hoodoo hiking, but south of the main amphitheater lie some truly mind-blowing views of the Grand Staircase and Colorado Plateau. The Paunsaugunt Plateau on which Bryce Canyon sits rises to elevations of more than 9,000 feet, allowing commanding views of the surrounding terrain. I truly believe that the view from Yovimpa Point is one of the best on the planet (albeit difficult to photograph), with a viewshed stretching from the North Rim of the Grand Canyon, to Navajo Mountain and Lake Powell near Page, to the 11,000 monolith of Powell Point and the Aquarius Plateau.
As the sun dropped lower, I headed out on the trail to Tower Bridge. In hindsight I should have taken a picture of the mud, but I guess I was too preoccupied trying not to lose a boot to the bright orange morass. With winter freeze/thaw cycles still in full swing, the trails were all littered with fragments of rock fallen from the cliffs and hoodoos above, a good reminder of the primary process responsible for creating this unique landscape.
My visit happened to coincide with a full moon so Milky Way photographs were out of the question. The light made it quite easy to navigate the trails looking for interesting photo opportunities. In several hours of wandering around the amphitheater, I don’t think I turned my headlamp on once. It was seriously bright out there.
With the photo above, I was hoping for longer star trails but after just half an hour, my camera battery died. After scrambling to replace it, I discovered that someone (who shall remain unnamed…) had forgotten to charge their spare camera battery. With only enough power on the spare for a few dozen more exposures, I decided to pack it in for the evening rather than continuing with the star trials, and save my remaining juice for sunrise…which turned out to be a good call.
While Bryce is beautiful at any time of day, sunrise is truly the golden hour. Because most of the amphitheater faces east, sunlight creates so many interesting light patterns among the hoodoos that one almost can’t decide where to look. This was the 2nd morning since the switch to daylight savings, and the crowds reflected the fact that sunrise was now at a quite palatable 7:30 AM.
Why do we climb mountains? For the sheer physical challenge. For the adrenaline rush. For the smell of danger that accompanies looking over the edge into 2,000 feet of nothing but thin air. For the mental high that comes from conquering a summit. To temporarily escape from the chaos of humanity stewing below. “Because it is there”. Your answers may vary. I climb mountains for all of these reasons, with different ones taking priority depending on my mood (although I have a limit to how much danger I am willing to smell…). Ultimately though, as a photographer, I climb mountains for the view.
With the highest average elevation of any state, Colorado has no shortage of mountains, and thus no shortage of views. Some of the best come from the summits of Colorado’s famous 14ers, a group of 53 peaks whose crests reach to more that 14,000 feet above sea level. At this altitude, other than birds and oncoming thunderheads, there is nothing left to look UP at. No mightier peaks obstruct your gaze and if you’re lucky, you might even catch a glimpse of a plane flying a few thousand feet below.
However there is not a direct correlation between higher elevation and better views. Far from it. After all, the 14ers have done nothing special to earn their fame, they have simply been the recipient of enough geologic good fortune that their summits exceed the ultimately meaningless and arbitrary 14,000′ mark. As a result, the Mount of the Holy Cross, topping out at 14,009′, is one of Colorado’s most famous mountains, in large part due to those uppermost nine feet. Meanwhile, Grizzly Peak, just 14 feet lower (13,995′), lies nearly forgotten just a few dozen miles away (lost in the shuffle of six—that’s right six—different Grizzly Peak’s in the state) yet provides an equally majestic vantage point.
Below I’ve put together a collection of panoramas shot from different summits around the state in an attempt to present the diversity of Colorado’s mountain peaks. Every summit, no matter how high, has a distinct atmosphere and feel, from suburban hills where you can down onto sprawling subdivisions and strip malls, to remote wilderness peaks where the only sign of mankind might just be the jet contrail 15,000 feet above you. Seeing summit panoramas always encourages me to get outside and fight Earth’s gravity once again. So go find any good chunk of rock that sticks up a bit above its surroundings, walk, hike, bike, climb, or crawl up it, and you are sure to be rewarded. My only specific advice is to find a peak without a road to the top. Views are best enjoyed in solitude and few things as demoralizing than spending hours trudging up a mountain only to find a gift shop, parking lot, or a family of six enjoying a three course meal in the back of their hummer at the top…or worse, a combination of all three.
Cameras can be strange machines. We tend to think of cameras as devices that faithfully record the nature of the landscape around us, which they do…at least most of the time. When this paradigm does break down, it is usually because the camera has failed to record something important, something that made a moment or an experience worth remembering. Oftentimes when this happens, we become disappointed. How many times have you been scrolling through vacation photos and lamented at how poorly they turned out? Sometimes we even realize the limitations of the camera in the moment itself. Perhaps you’ve experienced something akin to standing on the rim of the Grand Canyon at sunset and becoming so resigned to the fact that no photograph will ever satisfactorily capture the grandeur in front of you that you begin to ponder the option of chucking your camera into the great chasm below.
On rare occasions though, the camera delights us by managing to capture even MORE than meets the eye. After returning from a recent camping trip to the San Juan Islands in northwest Washington, I was surprised to find an unexpected apparition in some of the long-exposure photographs I took from our campsite on the west coast of San Juan Island.
Getting to the San Juans is no easy task; it took me about 5 hours to get there, even though “there” is just 35 miles by air from my front doorstep. As a result, the islands can feel remote and isolated, but standing along the coast at night is a not so gentle reminder that you’re actually only about eight miles across the Haro Strait from Victoria, a metro area of more than 300,000 people. Taking advantage of a somewhat rare, perfectly clear Pacific Northwest evening, I took a series of 15 second exposures looking west across the strait which I composted into this 180 degree panorama:
The first thing you notice is the egregious light pollution from Victoria. Even the skyglow from Vancouver, five times further away but seven times more populous, is visible through the tress. Amongst all of the artificial light sources though, some natural ones still manage to shine through. The faint tendrils of the winter Milky Way just barely register on the camera’s sensor but the bright winter constellations of Orion, Canis Major, and Taurus forcefully punch their way through. If you look really closely, you’ll see a faint, slightly elongated, pale blue glow hiding in-between the lights of Victoria and Sidney. This is a phenomenon known as the zodiacal light, and it’s what took me by surprise when I started putting these images together. Here’s an annotated version to help you out:
See it? It’s a slightly different color than the light domes and isn’t as round and symmetrical as the light radiating from the cities, but rather looks squished and creeps upward into the sky at an angle. What really betrays the nature of this mysterious glow is its location: it coincides almost perfectly with the ecliptic, the plane of our solar system which is also the apparent path that the Sun, Moon, and planets follow as they move across the night sky.
What does this have to do with the zodiacal light? Well, it turns out that the plane of our solar system is home to lots and lots of dust. Not the dust made of dead skin cells and carpet fuzz you find around your house, but rather interplanetary dust particles made mostly of carbon, silicon, and oxygen. These dust particles are really small, on the order of 10 micrometers in diameter, about the size of a mold spore. The exact source of this dust is controversial; most of it is thought to be the result of collisions between comets and asteroids although some may be leftover from the formation of the solar system itself, tiny pieces of debris that never got incorporated into a planet. Regardless of where it cam from, the dust is really good at reflecting sunlight. Just after sunset (or just prior to sunrise), the angle between the Sun, dust, and Earth is such that the light reflected of the surfaces of the innumerable dust particles reaches our eyes (or cameras) here on Earth, giving rise to the zodiacal light.
When you consider how small the dust is (and that the dust particles are on average more than 2 miles apart from one another!), it’s not hard to understand why the zodiacal light is so faint and difficult to spot. Due to a quirk of celestial geometry, spring is a great time to observe it from the northern hemisphere, but even then spotting it with the naked eye requires extremely dark skies. The conditions in the San Juans, while darker than many spots in Western Washington, are far too light polluted. However, digital cameras are MUCH more sensitive to faint sources of light than the human eye. It’s actually rather common for a camera to detect things in the night sky that aren’t visible otherwise. On the night I saw the aurora borealis for the first time about a year and a half ago, its presence was first betrayed to me as a faint green glow hugging the horizon on my camera’s LCD screen, hours before it became bright enough to see with the naked eye. If not for my camera’s ability to detect it, I would have been fast asleep instead of standing in a marshy field near the Canadian border when the aurora dramatically brightened a few hours later and streamers began appearing all over the sky.
Have you ever captured anything on camera that you found surprising? Share your thoughts or stories in the comments below.