As in past years, with the coming of the New Year I decided to take a look back at all the photos I took in 2014 and select some of my favorites to share with you here on the blog. Between finishing graduate school (yippee!) and making a permanent (for now) move from the Pacific Northwest to Colorado, I had less time to devote to photography than in previous years. Nevertheless, picking out my favorite photos was difficult as usual and a good reminder that I was fortunate to have the opportunity to experience and photograph a a number of new places in the past year, from the coasts of Olympic National Park to remote alpine basins in the Rocky Mountains.
Without further ado, here are my ten favorite photos from 2014 in chronological order. Here’s wishing you all a healthy and happy new year!
1. Tulip Fields at Sunset, Skagit Valley Tulip Festival, Washington
Held annually in April, the Skagit Valley Tulip Festival is a must see for any spring visitor to NW Washington, photography buff or not. On weekends, especially sunny ones, the tulip fields that spread out across the Skagit Valley about an hour north of Seattle are overrun, making photography difficult. Fortunately, I lived only about a half hour away and was able to visit on a less-busy weekday evening in order to photograph the picture-perfect bulbs in their prime and without the crowds.
2. American Bison, Yellowstone National Park
I’m going to come clean: this is the only photo on this list taken from the confines of my car! I was departing Yellowstone at the end of an impromptu day-trip to the park while attending a geology conference in Bozeman when I spotted this solitary bison along the road. Fortunately, no vehicles were coming up behind me so I was able to grab my camera and capture the glow of the late afternoon sunlight and the diffuse reflection of the bison in a pool of late-season snow melt.
3. Milky Way, Airglow, and Light Pollution from Hurricane Ridge, Olympic National Park, Washington
Living near Seattle doesn’t exactly do wonders for one’s chances of observing rare celestial events. What’s one to do? Get above the clouds of course! I was thrilled to be visiting Olympic National Park during the peak of the Cameleopardalids meteor shower in May. In order to get an unobstructed view, we made the drive up to Hurricane Ridge just before midnight in hopes of catching some meteors. As you may recall, the meteor shower fizzled spectacularly but all was not lost: I was able to capture this panorama of the summer Milky Way emerging from the disgusting Seattle light dome (over 50 miles away as the crow flies) as it rose in the west. Despite the light pollution, I also managed to capture the ghostly green glow of an atmospheric phenomenon known as “airglow” (which I’ve written about previously) and the low lying clouds smothering the Elwah River Valley several thousand feet below.
4. Giant Green Anemone (Anthopleura xanthogrammica), Olympic National Park
I developed a slight infatuation with seeking out and photographing marine life during my two years in Western Washington. Timing trips to the coast with some of the lowest tides of the year helped me discover a wide variety of anemones, nudibranchs, sea stars, urchins, and much more. Anemones were perhaps my favorite group to photograph, their neon-colored and delicate tentacles waving back and forth in the surf.
5. Panorama from Hole-in-the-Wall, Rialto Beach, Olympic National Park
Rialto Beach is one of the most popular spots in Olympic National Park…for obvious reasons. The short 2-mile hike to Hole-in-the-Wall was one of my favorite experiences this year. Once reaching the famous rock formation, we found an nearly entirely overgrown path that led us up to a viewpoint on the crest of Hole-in-the-Wall, getting us away from the surprisingly scant Memorial Day crowds and immersing us in expansive views of sea stacks, rocks, and islands along the Olympic coast.
6. Summer Wildflowers at Ice Lake, San Juan Mountains, Colorado
Despite my ravings about Rialto Beach in the previous photo, our trek to Ice Lake in the San Juan Mountains of Colorado was hands down my favorite hike of the year, and one of my most memorable ever. My only regret about this day was that we weren’t prepared for an overnight (or at least a hike back to the car in the dark!), which means I missed out on what was surely a epic sunset from the basin. Click the link above for more photos of this spectacular place.
7. Ice Lake Panorama, San Juan Mountains, Colorado
Did I mention Ice Lake was spectacular? It snagged two of the coveted spots on the top 10 list. That means you have to go.
8. Circumpolar Star Trails from Escalante Canyon, Colorado
Photographing star trails is a bit more complex in the digital age than it was with film. This was only my second legitimate attempt, but I was happy with how it turned out. Extremely long single exposures suffer from a variety of maladies so this photo is actually a composite of over 100 consecutive 30″ exposures (for the stars), and one 3″ exposure for the foreground juniper which I illuminated with a headlamp. In post-processing, I had the pleasure of removing more than a dozen aircraft which passed overhead during the hour or so it took to gather the series of exposures. I elected not to remove the two meteors (astronomical objects flashing through the frame are fine by me) but I’m looking forward to doing some more star trail photography from places not on major transcontinental flight paths.
9. Exclamation Point, Black Canyon of the Gunnison, Colorado
I love this photo because it exemplifies how the canyon got its name. Despite being taken at 10 o’clock in the morning, the narrow gorge carved into dark Precambrian metamorphic rocks remained shrouded in shadow, while its surroundings (and portions of the canyon bottom) are basking in the bright, mid-morning sunshine. This photo was taken from an overlook on the remote and seldom visited North Rim of Black Canyon, which offers the most spectacular views into the narrowest portion of this amazing gorge and is truly worth the effort to visit.
10. Waving Aspen and Grasses, Rocky Mountain National Park, Colorado
I didn’t purchase any new camera gear this year, but was the recipient of a 9-stop neutral density filter for my birthday, a filter I’ve been wanting to experiment with for a while now. That filter allowed me to take this photo, a 30″ exposure at f/22 in broad daylight, and capture the motion of a colorful aspen and meadow grasses waving in the wind on a autumn day in Rocky Mountain National Park.
After spending the first 18 years of my life in Arizona, moving to the Pacific Northwest for college was a bit of a change for me climatically. Even living on the “dry” eastern side of Washington, I couldn’t believe how the clouds could so easily stick around for weeks on end. Relocating to one of the cloudiest cities in the country two years ago was even more of an adjustment. Somehow I had gone from 300 days of sun to 300 days of clouds in just four short years (but also from 0.85 to 3.60 breweries per 100,000 people so there’s that…). Now, after six years in the Pacific Northwest (punctuated by a few summers on the Colorado Plateau), I’m trading the Cascades for the Rockies and moving to sunnier climes in Colorado!
The Northwest is home to some fantastically diverse and photogenic landscapes, perhaps more so than any other part of the country I’ve spent time in. In Washington alone you can find sand dunes, waterfalls, and prairies amongst the rolling hills of Eastern Washington, jagged sea cliffs and pastoral farmlands along the coast in the San Juan Islands, and glacier capped peaks and rainforests so lush you swear you’ve been transported to the Amazon in the Cascades and on the Olympic Peninsula. I figured now was a good time to share some photos that represent this amazing diversity and reflect a bit on my time in the Northwest.
What really epitomizes the Northwest for me is the abundance of one of the most common substances in the Universe: water. Whereas in the Southwest water is hard to find, in the Northwest it is difficult to escape. Whether on the coast, in the foothills, or in the mountains, water is never far away, be it saltwater, freshwater, glacier water, or rain water. While backpacking in the Northwest, you can almost always count on coming across a stream every few miles to replenish your supplies (unless you’re hiking around and active volcano, as I unpleasantly learned a few years back), a welcome change from carrying 8 pound gallon jugs on your back. Prolonged droughts and water restrictions, a way of life for decades in the Southwest, are near unheard of in the Northwest. Large dams in the Northwest are being removed and reservoirs drained, something that would be a cardinal sin to even think about in the arid Colorado River Basin, lest we lose even a few drops of precious water. Major rivers in the Northwest actually reach the sea, rather than being sucked dry in the desert, a la the Colorado.
It is this abundance of water in its many forms that makes the landscapes of the Pacific Northwest what they are. Case in point: here in the mountains of Colorado, we have peaks higher than any in the Cascades and temperatures just as cold (if not colder), yet the glacier score is Washington: 3101, Colorado: 141. As I write this from my computer in Western Colorado, a few small drops of rain are beginning to fall from a storm cloud overhead and my neighbors are gathering to comment on the spectacle. This phenomenon sums up the difference between the Southwest and Northwest perhaps more succinctly than any prose I could ever write.
More photos from my Northwest adventures will be forthcoming since I have a huge backlog of images waiting for me to think of something moderately interesting to write about. Aside from that, plan on becoming much more familiar with the landscapes of the Rocky Mountains in the coming years as I explore my new (and drier) home!
Cameras can be strange machines. We tend to think of cameras as devices that faithfully record the nature of the landscape around us, which they do…at least most of the time. When this paradigm does break down, it is usually because the camera has failed to record something important, something that made a moment or an experience worth remembering. Oftentimes when this happens, we become disappointed. How many times have you been scrolling through vacation photos and lamented at how poorly they turned out? Sometimes we even realize the limitations of the camera in the moment itself. Perhaps you’ve experienced something akin to standing on the rim of the Grand Canyon at sunset and becoming so resigned to the fact that no photograph will ever satisfactorily capture the grandeur in front of you that you begin to ponder the option of chucking your camera into the great chasm below.
On rare occasions though, the camera delights us by managing to capture even MORE than meets the eye. After returning from a recent camping trip to the San Juan Islands in northwest Washington, I was surprised to find an unexpected apparition in some of the long-exposure photographs I took from our campsite on the west coast of San Juan Island.
Getting to the San Juans is no easy task; it took me about 5 hours to get there, even though “there” is just 35 miles by air from my front doorstep. As a result, the islands can feel remote and isolated, but standing along the coast at night is a not so gentle reminder that you’re actually only about eight miles across the Haro Strait from Victoria, a metro area of more than 300,000 people. Taking advantage of a somewhat rare, perfectly clear Pacific Northwest evening, I took a series of 15 second exposures looking west across the strait which I composted into this 180 degree panorama:
The first thing you notice is the egregious light pollution from Victoria. Even the skyglow from Vancouver, five times further away but seven times more populous, is visible through the tress. Amongst all of the artificial light sources though, some natural ones still manage to shine through. The faint tendrils of the winter Milky Way just barely register on the camera’s sensor but the bright winter constellations of Orion, Canis Major, and Taurus forcefully punch their way through. If you look really closely, you’ll see a faint, slightly elongated, pale blue glow hiding in-between the lights of Victoria and Sidney. This is a phenomenon known as the zodiacal light, and it’s what took me by surprise when I started putting these images together. Here’s an annotated version to help you out:
See it? It’s a slightly different color than the light domes and isn’t as round and symmetrical as the light radiating from the cities, but rather looks squished and creeps upward into the sky at an angle. What really betrays the nature of this mysterious glow is its location: it coincides almost perfectly with the ecliptic, the plane of our solar system which is also the apparent path that the Sun, Moon, and planets follow as they move across the night sky.
What does this have to do with the zodiacal light? Well, it turns out that the plane of our solar system is home to lots and lots of dust. Not the dust made of dead skin cells and carpet fuzz you find around your house, but rather interplanetary dust particles made mostly of carbon, silicon, and oxygen. These dust particles are really small, on the order of 10 micrometers in diameter, about the size of a mold spore. The exact source of this dust is controversial; most of it is thought to be the result of collisions between comets and asteroids although some may be leftover from the formation of the solar system itself, tiny pieces of debris that never got incorporated into a planet. Regardless of where it cam from, the dust is really good at reflecting sunlight. Just after sunset (or just prior to sunrise), the angle between the Sun, dust, and Earth is such that the light reflected of the surfaces of the innumerable dust particles reaches our eyes (or cameras) here on Earth, giving rise to the zodiacal light.
When you consider how small the dust is (and that the dust particles are on average more than 2 miles apart from one another!), it’s not hard to understand why the zodiacal light is so faint and difficult to spot. Due to a quirk of celestial geometry, spring is a great time to observe it from the northern hemisphere, but even then spotting it with the naked eye requires extremely dark skies. The conditions in the San Juans, while darker than many spots in Western Washington, are far too light polluted. However, digital cameras are MUCH more sensitive to faint sources of light than the human eye. It’s actually rather common for a camera to detect things in the night sky that aren’t visible otherwise. On the night I saw the aurora borealis for the first time about a year and a half ago, its presence was first betrayed to me as a faint green glow hugging the horizon on my camera’s LCD screen, hours before it became bright enough to see with the naked eye. If not for my camera’s ability to detect it, I would have been fast asleep instead of standing in a marshy field near the Canadian border when the aurora dramatically brightened a few hours later and streamers began appearing all over the sky.
Have you ever captured anything on camera that you found surprising? Share your thoughts or stories in the comments below.