Why do we climb mountains? For the sheer physical challenge. For the adrenaline rush. For the smell of danger that accompanies looking over the edge into 2,000 feet of nothing but thin air. For the mental high that comes from conquering a summit. To temporarily escape from the chaos of humanity stewing below. “Because it is there”. Your answers may vary. I climb mountains for all of these reasons, with different ones taking priority depending on my mood (although I have a limit to how much danger I am willing to smell…). Ultimately though, as a photographer, I climb mountains for the view.
With the highest average elevation of any state, Colorado has no shortage of mountains, and thus no shortage of views. Some of the best come from the summits of Colorado’s famous 14ers, a group of 53 peaks whose crests reach to more that 14,000 feet above sea level. At this altitude, other than birds and oncoming thunderheads, there is nothing left to look UP at. No mightier peaks obstruct your gaze and if you’re lucky, you might even catch a glimpse of a plane flying a few thousand feet below.
However there is not a direct correlation between higher elevation and better views. Far from it. After all, the 14ers have done nothing special to earn their fame, they have simply been the recipient of enough geologic good fortune that their summits exceed the ultimately meaningless and arbitrary 14,000′ mark. As a result, the Mount of the Holy Cross, topping out at 14,009′, is one of Colorado’s most famous mountains, in large part due to those uppermost nine feet. Meanwhile, Grizzly Peak, just 14 feet lower (13,995′), lies nearly forgotten just a few dozen miles away (lost in the shuffle of six—that’s right six—different Grizzly Peak’s in the state) yet provides an equally majestic vantage point.
Below I’ve put together a collection of panoramas shot from different summits around the state in an attempt to present the diversity of Colorado’s mountain peaks. Every summit, no matter how high, has a distinct atmosphere and feel, from suburban hills where you can down onto sprawling subdivisions and strip malls, to remote wilderness peaks where the only sign of mankind might just be the jet contrail 15,000 feet above you. Seeing summit panoramas always encourages me to get outside and fight Earth’s gravity once again. So go find any good chunk of rock that sticks up a bit above its surroundings, walk, hike, bike, climb, or crawl up it, and you are sure to be rewarded. My only specific advice is to find a peak without a road to the top. Views are best enjoyed in solitude and few things as demoralizing than spending hours trudging up a mountain only to find a gift shop, parking lot, or a family of six enjoying a three course meal in the back of their hummer at the top…or worse, a combination of all three.
My trusty Nikon D70 died today after nearly 35,000 shutter actuations, in a beautiful place no less; more than 10,000 feet above sea level along the West Fork of the Cimarron River, high in the ice-sculpted pinnacles of the San Juan Mountains of southwestern Colorado. Given that it had pluckily survived numerous 5+ foot drops onto hard, rocky surfaces, many torrential downpours, hitchhiking across the sheep-filled land known as New Zealand, and being partially submerged in mineral-rich water as I uncontrollably floated down Havasu Creek, it seems odd that a light bump against a ratty-looking old lodgepole pine is what ultimately brought it to what in hindsight seems a rather ignominious end. Alas, this accidental tap caused the camera’s shutter to cease operating, casting the camera’s 6.3 megapixel CCD chip into a state of eternal darkness, never again to capture the majestic photons emitted by the incomparable scenery of this great Earth.
Not even the most exquisitely crafted prose can capture the stunning allure of the natural setting in which the D70 ultimately met its demise. Its final hours were spent summiting the rocky, yet green and verdant slopes of 12,152 foot Courthouse Mountain, a impressive edifice that is but a mere foothill to the soaring 14,000 foot peaks of the San Juan’s above. Despite it’s striking appearance, more than 1200 other peaks in the state of Colorado exceed it in height, although after today’s passing, none will exceed it in sentimental significance. A more glorious and perfect day could nary have been found; the weather gods were beaming upon the landscape below, basking the D70 in warm, unintterupted sunlight as it ascended the mountain, strapped to the shoulders of its loving owner.
From the summit, the D70 faithfully recorded its final panorama; a wide swath that included the jagged crags of Dunsinane Mountain and Precipice Peak, the dark green lodgepole stands of the Uncompahgre Wilderness, and the distant summits of Uncompaghre Peak and Mt. Sneffels, gripping tightly to their last vestiges of winter snow. To the north, beyond the exquisitely layered deposits of Chimney Rock belaying its violent volcanic history, lay the verdant Uncompahgre Valley, home to the towns of Ridgway, Montrose, and Delta. Along the eastern base of the mountain lay the valley carved by the West Fork of the Cimarron River, on an arrow straight path north to eventually meet the mighty Gunnison River.
Until such time that a suitable replacement can be procured, the D70 will be replaced by a small, yet capable Canon point-and-shoot camera. In lieu of flowers, please send Amazon.com or B&H Photo gift cards.